For several years now I have been fascinated with the idea of art as a documentation of personal response and experience to the built, natural, social and cultural environment. I have been inspired to try and capture the essence of certain moments or periods in particular places.
I have always been a draftsperson, and drawing remains a foundational feature of my work. My preferred format has generally been large, with a marked sense of colour, texture and strong lines. The images are documentations of my experiences in, and relation with, the world around me. I paint in series or sets taking a concept and developing and building as I work through the images. My work has always exhibited strong textural markings and, with the paintings, many overlays of glazing. My years in Sicily led to a much bolder and stronger use of watercolours, a portable and expressive medium necessitated by my colourful and exotic surroundings, as well as by the challenge of working on-site during cultural festivities and in many of the historic locations.
Returning to Toronto in 2004 I began to apply these layering and glazing techniques to oils on canvas. My most recent works are inspired by memories of sites with which I have a personal history.